Review | Marvel’s The Punisher (Season 1)
Season 1 of Marvel’s The Punisher dose the character justice and helps Netflix get their spark back.
Review | Star Wars: The Last Jedi
Star Wars: The Last Jedi is a story that neither plays safe nor panders to nostalgia but instead goes against ones expectations.
Review | The Solus Project (PS4)
The Solus Project is a standard survival titles as in it offers a unique experience but gets boring way too fast.
Review | Doom (Switch)
Doom is the perfect old school shooter for the Nintendo Switch.
Review | Pokémon the Movie: I Choose You!
I Choose You! is a retelling of the classic story about how Ash meet Pikachu.
Review | The Tower: Assassin’s Creed (iOs)
Ketchapp basically took The Tower and just slapped an Assassin’s Creed skin over it and called it a day.
Review | Wolfenstein II: The New Colossus (PS4)
Wolfenstein II: The New Colossus is an old school shooter with a thought provoking and multi-layered story.
Review | Rick and Morty (Season 3)
Season 3 of Rick and Morty is one of the darkest and most philosophically insightful shows on television.
Review | Stranger Things: The Game (iOs)
Following the tradition of the show, Stranger Things: The Game is a tribute to the 8-bit era of gaming.
Review | Cuphead (PC)
Cuphead is an old school platform adventure that feels like a cartoon form the 1930’s.
Review | The Castle of Cagliostro (re-release)
In honor of the 50th Anniversary of Lupin the Third, the debut film of Hayao Miyazaki returns to theaters.
Review | Resident Evil: Revelations (PS4)
Resident Evil: Revelations is still an excellent blend of new mechanics while preserving its horror content.
Review | Death Note (Netflix)
Netflix adaptions of Death Note is nothing more than a by-the-books high school thriller that is devoid of everything that had defined the anime series.
Review | Agents of Mayhem (PS4)
Agents of Mayhem continues the tradition of its predecessor but is too focus on nostalgia while lacking substance with its gameplay.
Review | Valerian and the City of a Thousand Planets
Has Luc Besson recreated the magic of The Fifth Element with Valerian and the City of a Thousand Planets or is this a dumpster fire like Jupiter Ascending?